After a two-week presentation yesterday, the Sudanese compositional artist Naji Latah (miscellane) who was sponsored by the President of the National Arts Council of Bahrain, Sheikh Rashid Bin Khalifa Al Khalifa Al-Khalifa, in the area of the Holocaust. The exhibition received a strong response and acceptance of the artistic, problematic and academic mediators of Bahrain ' s kingdom, and a very popular display of art.
In this context, I believe that the art of formation, which is the product of the great success of the gallery, has emerged through the number of visitors over the days of the 11-25th show, and the kind of work I've received, has firmly confirmed to me that the work I have offered has touched the feelings of the visitors, which means that the Bahraini community accepts its various forms of art that are different in the use of lead, and from the crude.
The great reason for the success of the exhibition for me was to look after and pay attention to the President of the National Council of Arts of Bahrain, His Excellency Sheikh Rashed Bin Khalifa Al-Khalifa, whose opening of the exhibition was also a great place of appreciation, to go through the exhibition, to learn about the arts, the raw materials used and the subjects spoken by each painting at the exhibition, to make me more happy and artistic.
It should be noted that the two Sudanese artists, Naji Lutah, who were distinguished by the arts of Puerto Rico, were able, within a short time, to draw the public ' s attention to the spectacularity of their work, which was particularly widespread on social media sites, graduated from the Faculty of Fine Arts and specialised in the Department of Geography 2001 and, since then, had been known as Naji for his death.
His relationship with the art of drawing began at an early age, where his family had the greatest influence in encouraging and developing his talent, where he grew up in a professional family of a number of artists, including the sister of the great artist, the artist, who helped him to develop his talent, and his first support since childhood, with whom he was taking him at the age of 7 to the Faculty of Fine Arts, and who had provided him with and encouraged his imagination.
His beginnings were the guerrillas who painted walls and shop plates in the city of Dwim, and also painted trucks and giant tanks, where he was a source of material income at an early age, and he painted slogans and walls for the bands and football clubs in the city of Doom.
After graduation from the College of Fine Arts, he participated in a number of collective exhibitions, but in 2005 he ceased to engage in self-employment, after years of stops, whining, passion to the arts of 2019. Puerto Rican art became an entry point for redefining itself to the public in particular on social networking sites where its work was widespread and widely accepted by both the public and the critics.
- In addition to lead and coal, the artist who survived his death prefers to use and experiment with all the material on his plates, such as Bastille colours, water colours, wood pens and clerics, the balance of spaces is one of the most important features of his paintings, which is interested in highlighting colour density, light reflections and shade that give different beauty to details that help make the painting comfortable for the eyes.
- Daily attitudes are a source of inspiration that is clearly reflected through its work, where the plastic art represents a comforting sanctuary to unload the negative energy from the hardships of life and to try to convey positive features to the recipient through paintings that reflect the reality of society in a professional manner that cares about the beauty of the details that surround us everywhere and which we sometimes see or overlooks in our daily routines, the shattering artists who are still trying to reach him.
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